解码与重构:冰上舞蹈音乐分析及肢体诠释

Decoding and Reconstruction:Understanding and Interpreting the Music for Ice Dance

以2014年和2018年索契、平昌2届冬奥会冰上舞蹈项目比赛前8名参赛选手的竞赛音乐及技术动作之间的关联为研究对象,以国际滑联(ISU)2018年6月新颁布的冰上舞蹈竞赛规则以及2021—2022赛季冰舞技术规则为依据,以艺术学、音乐学理论为理论基础,力图找出冰上舞蹈运动员肢体语言对音乐符号的诠释方式和路径,为提高我国冰舞运动员的音乐理解、诠释及艺术表达能力提供有价值的理论参考。研究发现:1)冰舞竞技水平与音乐诠释能力紧密相关;2)理解音乐并用肢体诠释音乐的过程,是对音乐作品进行"解码-重构"的过程;3)韵律舞部分,高分选手重点对音乐节奏韵律有精准分析和把控;4)自由舞部分,高分选手在音乐语言、形象和风格3个层面进行肢体语言诠释,并在编排动作时最大限度地回应一切细微音乐讯息。

Based on the ice dance competition rules issued by the ISU in June 2018 and the Requirements for Technical Rules(season 2021/22)as well as the theories of art and musicology,this paper studies the relationship between the music and technical movements of the top eight ice dance athletes in the two Winter Olympic Games of Sochi and Pyeongchang in 2014 and 2018.This study seeks to find out how ice dance athletes interpret the music via their body movements,with a view to providing valuable theoretical reference for improving Chinese ice dancers’ understanding and interpretation of music and their artistic expression.The results show that:1)ice dancers’ athletic performance is closely related to how well they interpret the music;2)the process of understanding and interpreting music with body movements is a process of“decoding and reconstructing”the music;3)in rhythm dance,high-scoring athletes focus on accurate analysis and control of the rhythm in music;4)in free dance,highscoring athletes use their body language to interpret the music language,image and style,and respond to all the subtleties of the music to the maximum extent when choreographing the movements.