游戏之作的创造性与局限性——三组唐代唱和诗的比较研究

The Creativity and Limitations of Game Works:A Comparative Study on Three Groups of Tang Antiphone Poems

在中唐诗人刘禹锡、白居易、元稹的唱和诗中,有三组咏春的作品,分别为《同乐天和微之深春二十首》《和春深二十首》《生春二十首》。这类旨在逞才竞技的唱和组诗,绑定同一体裁、围绕同一主题、拘囿同一韵脚,叠相赓和,联类无穷,明显带有游戏性质。但他们却能因难见巧,在画地为牢的有限空间内,将腾挪翻转的艺术技巧发挥到了极致,或者说在遏制创造力激荡的框架下依然表现出一定的创造性。当然,游戏之作固有的局限性,他们也未能避免。

In the antiphon poems written by Liu Yuxi,Bai Juyi and Yuan Zhen in the middle Tang Dynasty,there were three groups of poems about spring,which were Twenty Songs in Deep Spring with Letian and Weizhi The Twenty antiphon poems in Deep Spring,Twenty Songs in Early Spring,.This kind of antiphon poems,which is aimed to express talents and skill,bound with the same style,same theme and same rhyme,obviously had the nature of game entertainment.But this kind of poetry also shows the poets’talent of making poems under strictly difficult conditions,demonstrating their unusual skill in limited space.However,this kind of game playing poetry has its unavoidable limitations.