机器与图像--让·努维尔特定建筑学中的情境与诗意美学

Machines and Images:Situation and Poetic Aesthetics in Jean Nouvel's Specific Architecture

文章试图在历史和社会背景下梳理法国建筑机器美学与图像美学辨证关系的特征和形成原因,及其在以让·努维尔为代表的法国当代建筑师作品中的具体体现。从启蒙时期理性主义的萌芽到现代主义时期的探索,以及战后思潮转变的批判,机器美学始终在法国建筑理论和实践中占有重要位置;而另一方面,继承建筑文化属性的巴黎美术学院传统强调的建筑图像美学,平衡了机器美学。机器美学和图像美学的二元辩证关系赋予让·努维尔“特定建筑学”以理性和感性互补的特征,为全球化中当代建筑的多样性命题提供了一种答案。

This article attempts to sort out the formation and characteristics of French architectural machine aesthetics in the historical and social context,as well as the incarnation in the works of contemporary French architects represented by Jean Nouvel.From the germination of rationalism in the enlightenment period to the development in the modernist period,as well as the critic of ideological changes after the World Wars,the exploration of machine aesthetics in architecture always occupied an important position in French architectural theory and practice.On the other hand,the Beaux-arts tradition provided the architecture with an Image Aesthetic and served as a balance to machine aesthetics.This dual dialectical relationship between machine aesthetics and image aesthetics resulted in Jean Nouvel's“Specific Architecture”a complementary characteristic of rationality and sensibility,and provided a solution to the question of diversity of contemporary architecture in globalization.