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从艺术主体到村民主体:艺术介入乡村建设的主体性重塑 被引量:6

From the Artistic Subject to the Villager Subject:the Subjectivity Reconstruction of Artistic Intervention in Rural Construction
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摘要 随着国家乡村振兴战略的推进,乡村建设成为当下文化活动的热点。目前国内盛行的艺术乡建形式主要是艺术家介入到乡村环境的艺术营造;以艺术手段为抓手进行产业化转化,提高村民的经济收入;以艺术为桥梁,建设、保护和修复乡村的人文、自然生态系统。近年来很多乡建者和学者开始呼吁尊重村民的主体性,艺术乡建的焦点也开始从艺术本身转向了村民的主体性重塑。文章主要通过梳理艺术乡建的相关案例,分析在乡建实践中艺术以何种形式进入乡村,如何激活村民的"主体性"意识,提升村民的"主体性"自觉,实现艺术乡建的可持续发展。 With the advancement of the national rural revitalization strategy,rural construction has become the hot spot of the current cultural activities.At present,the popular rural art construction in China is mainly for artists to engage in the rural environment to achieve the industrialization transformation of the artistic means so that the villagers’economic income could be increased.Art should also serve as the bridge,to build,protect and restore rural cultural and natural ecosystems.In recent years,many constructors and scholars have called for respect for the subjectivity of villagers,and the focus of rural art construction has begun to change from art itself to the reconstruction of the subjectivity of villagers.The article mainly sorts out the relevant cases of rural art construction to analyze in what forms art enters the countryside in the practice,how the villagers’consciousness of"subjectivity"can be activated and enhanced in an attempt to realize the sustainable development of the rural art construction.
作者 林卓 Lin Zhuo
机构地区 上海大学文学院
出处 《公共艺术》 2021年第5期68-72,共5页 Public Art
关键词 乡村建设 艺术 村民 主体性 rural construction art villagers subjectivity
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