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论乔治·英尼斯诗画融合的创作方法

Creation Method of George Inness’Poem and Painting Fusion
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摘要 乔治·英尼斯是19世纪晚期美国的领军性风景画家,他在吸收借鉴欧洲传统绘画方法的基础上,注重把自然风景、情感及诗性相结合,形成了独具特色的诗画融合创作风格。英尼斯的作品蕴含着较为丰富的诗性和审美内涵,美国文艺复兴所流行的超验主义思想以及公众普遍认同的乌托邦精神增强了其画作的魅力。英尼斯善于以诗歌的形式传达对自然的情感,诗与画的融合传递出浪漫情怀,启发了观者的诗性联想。英尼斯的一些绘画和诗歌创作既涉及对自然的神性表现,同时又有现实社会的印记,推动了美国绘画从传统走向现代,对美国19世纪晚期及后世艺术风格的演变有较深影响。 George Inness,a leading painter of landscapes in the late 19th century,had been focusing on the integration of natural landscape,feeling and poetry on the basis of the reference and inheritance from traditional European painting methods,forming a specific style of poem and painting fusion.George Inness’paintings have indicated richer connotation of poetry and aesthetic effects.The transcendentalism causing the American renaissance and utopian spirit accepted generally by the public had strengthened the attraction of his paintings.George Inness was good at conveying the emotion on nature by poetry,meanwhile,the fusion of poem and painting expressed the romanticism,inspiring the associated poetic imagination.Some paintings and poetic works of George Inness not only implied the natural spirit,but also showed the tendency of then social reality.George Inness had led the American traditional fine arts to the contemporary styles,exerting a deeper influence on the American artistic styles of late 19th century and later ages.
作者 魏骏瑶 Wei Junyao
出处 《江海学刊》 CSSCI 北大核心 2021年第6期214-220,255,共8页 Jianghai Academic Journal
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