从作品《粉·墨》看中国古典舞跨文化受众接受

The Cross-Cultural Audience Reception of Chinese Classical Dance:Taking Dance Work Fen Mo as an Example

在"中华文化走出去"成为一个重要命题的当今,建构于当代且包含着深刻中华文化精神内涵的中国古典舞有着独特的优势,然而在实践中其优势却未被充分发挥。本文通过对中国古典舞作品《粉·墨》的分析,总结该作品在跨文化传播中所获得的较好传播效果源于其非叙事性创作理念、对舞台艺术多种要素的综合运用,以及西方受众现有接受习惯。在此基础上,文章提出以作品《粉·墨》为代表的中国古典舞非叙事性大型作品在中国舞蹈艺术"走出去"这一进程中有着不可替代的作用,并建议相关政策对该类创作予以支持。

Chinese classical dance,a contemporary construct constituted with Chinese culture and tradition,has a unique value under the current vision of“Chinese culture going global,”yet its advantages have not been fully realized in practice. By analyzing the Chinese classical dance work Fen Mo,this paper proposes that the success the work received in its cross-cultural communication is resulted from its non-narrative pursuit,the use of multiple visual and acoustic elements,and the current preferences for dance reception by western audiences. On this basis,the paper believes that the non-narrative full-length Chinese classical dance works represented by Fen Mo play an irreplaceable role in the“going global”of Chinese dance art and suggests relevant funding policy for supporting the creation of similar works.