戏曲舞台形象在中国古典舞教学中的重构方式

Reconstruction of Stage Image of Chinese Xiqu in Chinese Classical Dance Teaching

戏曲舞台动作是舞蹈化的身体言说,而戏曲舞台形象是富有舞蹈表现力的艺术形象。古典舞人将戏曲形象的精气神以舞蹈艺术的传情方式与肢体魅力加以体现,构建起具有民族美学特征的舞蹈语言系统。《中国古典舞角色塑造》课程,是以中国古典舞的艺术语言为核心重塑戏曲舞台形象,引导学习者自主自觉地探寻、领悟中国古典舞的身体实践方法。文章试图从戏曲表演体制中剥离出对此课程有借鉴价值的重要艺术资源,通过典型形象的设定、戏曲程式的活用以及身韵语言性生成的方式,完成从戏曲到舞蹈的形象转化。它是对中国古典舞身体语言和表演训练的探索性研究。

The stage movement of Chinese opera is a dance-like body language,and the stage image of Chinese opera is an artistic image rich in dance expression. Since the stage image of Chinese opera is obvious with the characteristics of body movement and rhythm,Chinese classical dancers transform it from the tangible to the intangible,embodies the spirit of stage image with the expression of dance art and the charm of body movement,and constructs a language system of dance with national aesthetic characteristics.However,the course"Role Shaping of Chinese Classical Dance"of Beijing Normal University reshapes the stage image of Chinese opera with the artistic language of Chinese classical dance as the core. It guides learners to independently and consciously explore and comprehend the physical practice methods of Chinese classical dance. The author tries to extract important artistic resources valuable for this course from the performance system of Chinese opera,and complete the image transformation from opera to dance through the setting of typical images,the flexible use of opera formulas,and the language generation of body rhythm. It is an exploratory study on the body language and performance training of Chinese classical dance.