摘要
哈罗德·布鲁姆强调批评的身份独立性,其文学批评中饱含着书写者本人的精神向度、情趣意志与生命坚守。以布鲁姆为参照,中国文学批评标准的现化性建构需要强调文学批评的自主性和创性新,同时批评者应对文学怀有敬畏之情,在批评实践中应坚守内在精神独立性、坚持自我审视、坚守民族身份;应对文化话语的过度侵袭和批评的商业化倾向有所抵制,并对当前"泛娱乐化"的批评倾向保持警惕。
Harold Bloom emphasizes the independence of literary criticism, and his criticism is full of his mental dimension, aesthetic temperament and humane persistence. According to Harold Bloom, Chinese modern literary criticism needs to emphasize autonomy and novelty. Critics should treat literature with a certain awe and reverence, insist on the independent spirit, self-reflection and their national identity, remain vigilant and reject the invasion from the cultural discourse to literature, the commercialization and abused entertainment of criticism.
作者
高永
GAO Yong(School of Chinese Language and Literature,Hebei University,071000,Baoding,China)
出处
《北方工业大学学报》
2021年第4期94-99,共6页
Journal of North China University of Technology
基金
河北省社会科学基金项目“哈罗德·布鲁姆诗学与中国当代文论会通研究”(HB18WW001)。
关键词
哈罗德·布鲁姆
文学批评
中国启示
Harold Bloom
literary criticism
enlightenments to China