“剧坛”研究范式的确立及其学术史回顾

The Establishment of Research Paradigm of “Dramatic Circle” and Retrospect on Its Academic History

"剧坛"的内涵与外延,曾长时间未被准确界定。语义的含糊与笼统导致了研究呈现出散点式的、非系统化的局面。在《乾隆时期北京剧坛研究》出现之后,"剧坛研究"开始成为特定的研究对象。随后,在传统戏曲研究向"大戏剧"转化的大背景下,一批年轻学者敏锐地将剧坛研究的触角延伸至戏曲发展进程中具有典型性的特定时空,推动剧坛研究逐步走向专门化与系统化。然而,已有研究对"典型性"过分推崇,或缺失"美学"关怀,导致该研究逐渐遭遇瓶颈。

The connotation and extension of"dramatic circle"have not been precisely defined for a long time.The ambiguity and generality of its semantic meaning have led to a scattered and unsystematic study.After the appearance of Studies on Peking Dramatic Circles in the Era Qianlong,"the study of dramatic circle"became a specific object of study.Subsequently,in the context of the transformation of traditional opera studies into"grand drama",a group of young scholars incisively extended the research tentacles to the typically specific time and space in the dramatic development,promoting the specialization and systematization of the study of dramatic circle.However,the given researches have advocated"typicality"too much or lacked in"aesthetic"concern,leading to their gradual bottleneck.