《金瓶梅》“窗”意象叙事功能论

On the narrative function of“window”image in Jin Ping Mei

窗作为现实生活的重要组成部分,不仅发挥着透光通风的实用功能,同样在叙事文本中彰显着丰富多样的文学功能。“窗”在《金瓶梅》中出现次数较多,不仅是作为客观物质的存在,而且通过小说人物的“窥视”和“窃听”达到转换视角、制造悬念,调动感官、突显动作的目的,实现了重要的“发现”功能,同时因其有着诗意性而被作者赋予了感情功能,潘金莲的“嫉妒”“示爱”“思念”之窗,和李瓶儿的“无奈”“悲戚”“伤感”之窗是作者通过“窗”观照女性生活状态的重要表现,极大地扩展了窗的文学叙事功能。

As an important part of real life,windows not only have a practical role in light transmission and ventilation,but also play a variety of literary functions in narrative texts.The occurrence of“window”in Jin Ping Mei is frequent,not only exists as an object,but also realizes the purpose of perspective transforming,suspense creating,sense transferring,action highlighting through the characters of“peeping”and“hacking”to give full play to its role of“discovery”function.,At the same time the author gives“window”an emotional function for its poetic characteristic,Pan Jinlian’s window of“envy”,“love”and“missing”,and Li Ping-er’s window of“helplessness”,“sorrow”and“sadness”are important manifestations of the author’s attention to women’s living conditions through“window”,which greatly expands the literary narrative function of window.