论夏目漱石“诗画人生”的时空意境

A Brief Analysis on the Spatio-temporal Artistic Conception in Natsume Souseki’s“Life of Poetry and Painting”

夏目漱石作为日本“国民作家”,其文学作品内容丰富、思想精深、形式多样。他凭借自身对于文学和绘画两种艺术门类的深刻理解,将绘画艺术的要素、特征和技巧融入文学创作,晚年更是以“诗画”交融的艺术形式创作了诸多诗作,并成就了其文学风格中独特的“诗画人生”。可以说,“绘画”艺术以其独有的方式渲染了夏目漱石的内在精神图式和文学精神追求,并深刻影响了他的文学创作形式与内容,成就了其文学世界中充满诗画元素的独特“文学时空意境”。

As a“national writer”in Japan,Natsume Souseki’s literary works are rich in content,profound in thought,and diverse in form.With his profound understanding of literature and painting,he integrated the elements,characteristics and skills of painting into literary creation,and in his later years,he created a large number of poems in the artistic form characterized by the fusion of poetry and painting,thus making his“life of poetry and painting”become a unique literary style.It can be said that the art of“painting”has deepened Natsume Souseki's inner spiritual schema and literary spiritual pursuit in its unique way,and has greatly influenced his literary creation form and content as well.Finally,it has created a unique spatio-temporal artistic conception filled with poetry and painting elements in his literary world.