摘要
中国画是寄托画家性情与心灵的艺术,中国画的写生是写造化生运之理,画家要通过写生体现出万事万物自然而然的本性。写生之时,画家面对万物,不应局限于景物外形的存在,而需游目骋怀,运化一气,用真心去感受天地的大美,从而融汇于笔端。中国画强调"外师造化,中得心源",画家需要通过观物以达到触景生情,澄怀味象,在写生过程中画家的内心又要契合自然物性,做到澄怀清心、心与物游、万化冥合,才能体现以形写神的艺术追求,作品方能达到气韵生动、妙合自然的艺术效果。
Chinese painting is an art that entrusts the painter’s temperament and soul.The sketching of Chinese painting is to describe the principle of the creation and operation of nature,through which the natural character of everything in nature is reflected.When sketching,the painter should not be limited to the appearance of the scenery in front of him,but needs to swim with his eyes,move with one spirit,and feel the beauty of the world with his heart,so as to show it with the brush.And Chinese painting emphasizes the theory“to learn from the nature outside,and to get muse form the heart inside”.In the process of sketching,the painter needs to achieve the excitement of feelings by the circumstances through the observation of objects on one hand;on the other hand,he must try to fit the natural beings in his heart with pure mind.Only in this way,can we embody the artistic pursuit of depicting the spirit by describing the appearance,and achieve the artistic and aesthetic effect of vivid charm and natural harmony in the works.
作者
吴胜景
Wu Shengjing(School of Philosophy,Wuhan University,Wuhan 430072,Hubei,China)
出处
《学术探索》
CSSCI
2021年第12期122-128,共7页
Academic Exploration
关键词
中国画
写生
形神
气韵
自然
Chinese painting
sketching
appearance and spirit
spirit and charm
nature