王羲之书迹的日本传入及接受--以飞鸟-平安时代为中心

The Introduction and Adoption of Wang Xizhi’s Calligraphy in Japan: Centered around the Asuka-Heian Era

飞鸟-平安时代的日本在文化上尚处于完全模仿中国的阶段,也是王羲之书迹传入日本的高峰期,往来于中日之间的遣唐使、留学生、留学僧等起了重要的作用。在当时,使用王羲之书迹作为学书的范本的风气在贵族阶级间展开。其对日本风书道的形成甚至后世日本风书道的发展起到了至关重要的作用。

Duringthe Asuka~Heian Era,Japan was still in the stage of cultural imitation of China,which was also the peak period for the introduction of Wang Xizhi’scalligraphy into Japan,the dispatch of Tang envoys,students and monks from China and Japan played a vital role.At that time,the use of Wang Xizhi’scalligraphy as a model for learning calligraphy spread among the aristocracy.It played a vital role in the formation ofJapanesestyle and even influenced the development of Japanese style calligraphy in later ages.