摘要
据现传《髹饰录》抄本所记,其作者及注者分别为明代漆工黄成与杨明。该书自日本传回中国后,有关“新安黄平沙”中的“平沙”是黄成的籍贯还是名号曾一度引起相关学者的注意,而有关杨明的姓氏是“杨”还是“扬”的问题近年来也引发不少讨论。通过对不同抄本中所写名字进行对照,梳理出当中的种种疑窦,发现其时工匠所处独特的情境。
According to the remaining copy of Xiu Shi Lu,its author and annotator were Huang Cheng and Yang Ming,painters of the Ming Dynasty.Since the book was handed back to China from Japan,whether"Pingsha"in"Xin'an huangpingsha"was Huang Cheng's native home place or name had attracted the attention of relevant scholars,and the question of whether Yang Ming's surname was"Yang"(杨)or"Yang"(扬)had also aroused a lot of discussion in recent years.By comparing the names written in different manuscripts,sorting out kinds of doubts,we find that the unique situation of craftsmen at that time.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2021年第6期21-26,I0011,共7页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
全国高校古籍整理研究委员会直接资助项目(1660)阶段性成果
浙江省哲学社会科学领军人才青年英才培育专项重大课题(21QNYC08ZD)阶段性成果。