论民国美术学者的话语身份

On the Discourse Identity of Art Scholars in the Republic of China

民国时期的美术史论主要由身兼画家与学者身份的现代知识分子完成。作为现代中国的文化构筑主体,美术学者以对传统士人精神的延续构建现代学人知识体系,在史论研究中呈现文化立场与学术学理之间的张力,同时传达对国家建设的构想及民族文化的认同。美术学者的身份生成与话语转变,为民国美术史学的发展奠定了内在理路。

Theories of art history in the period of the Republic of China was mainly completed by modern intellectuals who were both painters and scholars.As the main body of cultural construction in modern China,art scholars build a modern scholar knowledge system with the continuation of the traditional scholar spirit,present the tension between cultural position and academic theory in the study of historical theory,and convey the conception of national construction and the identity of national culture.The identity generation and discourse transformation of art scholars laid an internal theoretical road for the development of art historiography in the Republic of China.