清方士庶《天慵庵笔记》绘画思想研究

A Study on the Painting Thoughts of Tianyongan Notes by Fang Shishu of Qing Dynasty

方士庶作为清代中期活跃于扬州画坛的安徽籍画家,其山水画笔墨师法娄东画派黄鼎,并广学历代名家画作,在当时的扬州画坛占据一席之地。除了在绘画艺术上的成就,他留存于世的著作《天慵庵笔记》中也包含了他的绘画思想,在笔墨关系、虚实意境、读书养气、实践工夫等方面都阐述出独特的见解。研究艺术家的著作和绘画思想,对于全面再现艺术家个人形象具有重要的意义。

Fang Shishu, an Anhui native painter who was active in Yangzhou painting circles in the middle of the Qing Dynasty, studied landscape painting under Huang Ding of Lou Dong school of Painting, and had a wide degree in painting for famous artists, thus occupied a place in yangzhou painting circles at that time. In addition to his achievements in painting art, his masterpiece Tianyongan Notes also contains his painting thoughts, which are unique in the relationship between brush and ink, the artistic conception of virtual and real, the cultivation of spirit in reading, and the practice of time. It is of great significance to study the works and painting thoughts of artists to fully reproduce their personal images.