隐逸思想下明清文人园林曲境营造及应用研究

Research on the Creation and Application of Song Environment in Ming-Qing Literati Gardens under the Thought of Hermitage

园林是我国古代文人抒发理想情怀的重要物质载体。本文以古代文人园林为切入点,运用文献研究和案例分析法,归纳隐逸思想在园林发展历史的4个阶段,即魏晋南北朝、唐宋、明清及清朝中后期,从“隐于园”到“娱乐于园”的嬗变。通过分析受隐逸思想影响下的文人园林空间中的小中见大、迂回曲折的手法以及水石、桥廊构筑元素的文化意象呈现,结合现代展示园案例解析其应用方式,从而为当代园林文化地域性空间设计提供理论参考和依据。

The garden was an important material vehicle for the literati to express their ideal sentiments.Taking the ancient literati gardens as an entry point,this paper uses documentary research and case studies to summarize how the idea of seclusion changed from seclusion in gardens to entertainment in gardens in four periods of garden development:the Wei,Jin and Northern Dynasties,the Tang,Song and Ming and Qing Dynasties.Through the analysis of the small but large,meandering and winding techniques in the space of the literati gardens influenced by the idea of seclusion,and the presentation of water,stone and bridge imagery elements,and the analysis of their application in the context of modern exhibition gardens,the theoretical reference and basis for the regional spatial design of contemporary garden culture is provided.