藏族文学作品中“白色”意象书写及其审美思想

On the"white"described in successive literature

在藏族文化中,白色为“四根本显色”中的基色,是正义、善良、高尚、纯洁、幸福、和平、祥瑞、喜庆、正直及忠诚的象征。藏族文学作品中,以古代斯巴苯教“黑白”观为滥觞,以印度文学作品为模版,通过“月光”“莲花”“雪山”“珍珠”“云”“鸭”“牛奶”等系列“白色”意象,形成了具体化、形象化的文学范式,用于描述圣人和尊者的智慧、圣洁和崇敬。文章以文学史的视角,从“白色”意象入手,探寻其起源、发展。白色意象从远古神话形成丰富的文学审美表达的过程。通过从文化空间到意象建构、审美传承到时代转型的多维度解读,对藏族“白色”意象审美进行了多角度的阐释。

The perspective of white vs black and light vs darkness in the ancient Bon Religion is the foundation of Tibetan cultural views of white which initiates the Tibetan idea of the aesthetics.With the wide spread of Indian literature tradition such as the Mirror of Poetry(snyan ngag me long in Tibetan),the Tibetan writers imported the terms such as moon,lotus,water-lily,Kailash,necklace,milk-lake,goose,clouds to describe white,which in turn brought a new life to the artistic conception of Tibetan literature.With substantial influence of the socialist new perspectives and new culture,the artistic conception of white starts covering all aspects of the life.This article focuses on the traditional Tibetan artistic works done by successive scholars,discusses how it reflects the Tibetan aesthetic perspectives.