风景感知与视角:李娟散文中的阿勒泰风景记忆

Landscape Perception and Perspective:The Memory of Altay Landscape in Li Juan’s Prose

非虚构散文代表作家李娟散文中的阿勒泰风景书写现象值得关注。该文通过细读李娟非虚构散文《羊道三部曲》《冬牧场》《遥远的向日葵地》和《阿勒泰的角落》,结合其中阿勒泰风景的描写,发现其创作坚持表现劳动人民日常生活风景及荒野风景记忆,创造出阿勒泰地方形象。这其中,李娟运用外在人与内在人视角发现阿勒泰风景,创作由荒野美学向日常生活美学转变,建构阿勒泰地方形象内在性,表达呈现阿勒泰风景记忆,实现心灵与情感的建构,体现了文艺“为人民抒写,为人民抒情,为人民抒怀”的创作原则。

As a representative writer of non-fiction prose, the phenomenon of Altay landscape writing in Li Juan’s prose deserves attention. Through a close reading of Li Juan’s non-fiction prose work such as Triloquy of Sheep Road, Winter Pasture, Distant Sunflower Field and Corner of Altay, and in line with the description of Altay scenery in them, it is found that Li Juan’s writing maintains the expression of the daily life scenery of the working people and the memory of the wilderness scenery, thus creating the local image of Altay. Among them, the author uses the perspective of external person and internal person to discover the scenery of Altay, and she also realizes the transformation of wilderness aesthetics to daily life aesthetics, which constructs the internal feature of Altay image, presents the memory of Altay scenery, and realizes the construction of soul and emotion.