勋伯格“无调性”转型背后的神秘主义形式意涵

The Meaning of Mystical Form behind Schoenberg’s“Atonality”Transformation

20世纪初叶,作曲家勋伯格向“无调性”转型时,正值西方神秘主义思潮兴盛的时代,因此“无调性”音乐的形式构建本身便具备了某种神秘主义的意涵,其在音高组织逻辑上所达成的“音乐空间”思维与神秘学层面的“完美”世界观背后存在着内在的一致性。而勋伯格作品中极简化的音高组织,以及后来出现的十二音作品则是“无调性”音乐中核心音程逻辑思维的趋势所向,也成为在神秘学层面更具“完美”意味的形式构建方式。

In the early 20th century,the composer Arnold Schoenberg began to experiment with“atonality”,which coincided with the rise of Western mysticism.Therefore,the construction of the form of“atonal”music itself had a mystical meaning.There was an inherent consistency between the“musical space”thinking achieved in the logic of pitch organization and the“perfect”world view at the mystical level.