身份认同建构下剪纸工艺的再生产研究

Reproduction of Paper-cutting Techniques in the Context of Identity Construction

以民间剪纸工艺参与主体的身份认同建构过程为主要研究内容,在“自我”选择及“他者”赋予的双重视角下展开讨论。参与主体的“身份迁移”现象组构并影响剪纸工艺再生产实践中“人”“语境”“环境”的相互关系,促成剪纸工艺再生产调试机制的生成,从而推动剪纸工艺的传承再组织方式、创作及再生产模式、风格及内容的多样、多元及差异化发展。参与主体的“身份迁移”对重构民间剪纸工艺的文化生态起到推动作用,也促使其面对“网状化”传播、多元化审美标准与价值评价体系尚待建立等现象及问题。此外,传统手工艺文化生态发展总体呈现出由“原生态”向“共生态”的衍进过程。

From the dual perspectives of“self-choices”and“others’influence”,the paper delves into the process of identity construction of the subjects involved in the folk art of paper-cutting.It has been found out that the phenomenon of“identity migration”of the subjects affects the relationship among“participants”,“context”,and“environment”in the practice of paper-cutting reproduction,and promotes the creation of a“debugging”mechanism for paper-cutting art reproduction.Thus,“identity migration”is conducive to the diversification and differentiation of the reorganization methods,creation and reproduction modes,styles,and contents of the inheritance of paper-cutting craftsmanship.Furthermore,the“identity migration”of the participants and the above changes have propelled the reconstruction of the cultural ecology of folk paper-cutting.During the reconstruction,participants are prompted to address the problems of“network propagation”,diversified aesthetic standards,and value evaluation system to be established.Moreover,exemplified by the folk art of paper-cutting,the cultural ecology of traditional handicrafts has been evolving from the“primitive ecology”to the“symbiotic ecology”.