摘要
“乘象入胎”是根据释迦牟尼传记所描绘的佛传故事画,佛经对此多有记载。文章通过图文对照,对莫高窟现存十余幅“乘象入胎”壁画之伎乐音声进行了系统分析,最终得出结论:敦煌壁画“乘象入胎”不论从整体还是局部都刻画了一幅具有气韵之质的音声景观,其以高度艺术化的方式完美诠释了佛教音乐美学的微妙、和雅、正直、深远等品质。
"Riding an Elephant into the Womb"is a buddhist story painting based on the biography of Sakyamuni,which is recorded in many Buddhist sutras.In the Mogao Grottoes,there are more than ten murals about"Riding an Elephant into the Womb".Through the comparison of pictures and texts,this paper systematically analyzes the Jiyue sound.The category of Buddhist music aesthetics includes such qualities as subtlety,harmony,elegance,integrity and profoundness.The picture of"Riding an Elephant into the Womb"depicts a sound landscape with the quality of Qi-yun both in whole and in part.
作者
杨瑞静
韦亦珺
YANG Rui-jing;WEI Yi-jun(College of Music,Northwest Normal University,Lanzhou Gansu 730070)
出处
《甘肃高师学报》
2021年第6期133-138,共6页
Journal of Gansu Normal Colleges
关键词
乘象入胎
莫高窟
伎乐天
音声
佛教音乐美学
Riding an Elephant into the Womb
Mogao Grottoes
Jiyuetian
sounds
Buddhist music aesthetics