古籍保护视野下的《凌烟阁功臣图》版本及价值初探

A Study on Versions and Values of Ling Yan Ge Gong Chen Tu from the Perspective of Ancient Book Conservation

清康熙七年(1668)刘源绘画朱圭刻版吴门柱笏堂印本《凌烟阁功臣图》是当时最具代表性的木刻版画之一。初刻印本流传稀少,存世多为补刻覆刻本。清光绪十年(1884)出现上海同文书局石印本。民国九年(1920)陶湘临摹石印编入《喜咏轩丛书》。上世纪六十年代中华书局上海编辑所曾两次线装影印。2007年中华古籍保护计划以来,国家图书馆、复旦大学图书馆、中国古版画研究会相继出版线装影印本。该书“诗文书画印”五者融为一体,在人物传记、绘画雕版、书法篆刻、藏书流播、文物保护、中外文化交流诸方面具有独特价值。

In the seventh year of Kangxi’s reign in the Qing Dynasty(1668),Ling Yan Ge Gong Chen Tu was painted by Liu Yuan,engraved by Zhu Gui and printed by Wu-men Zhu Hu Tang,and was one of the most representative woodcut prints at that time.The first printed copies were rare,and most survived copies today were supplementary printed copies.The Lithography printed copies of Shanghai Tongwen Publishing House appeared in the tenth year of Guangxu’s reign in the Qing Dynasty(1884).In the ninth year of the Republic of China(1920),Tao Xiang copied the stone prints and incorporated them into the Xiyongxuan series.In the 1960 s,the Shanghai Editorial Office of Zhonghua Book Company made two line-bound photocopies.Since the Chinese Ancient Books Protection Plan in 2007,the National Library,the library of Fudan University and the Chinese Ancient Print Research Association have successively published line-bound photocopies.The book integrates"poetry,calligraphy,painting and printing and seal",which has unique value in biography,painting engraving,calligraphy and seal cutting,book collection and broadcasting,cultural relics protection and cultural exchanges between China and foreign countries.