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“自由”与“存在”——影片《法国中尉的女人》时代女性形象探析 被引量:1

Freedom and Existence——On Female Image of the Times in The French Lieutenant’s Woman
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摘要 英国影片《法国中尉的女人》塑造出一个活在19世纪的20世纪女性萨拉形象。通过对比维多利亚时代女性的"保守"与"反叛",揭示出萨拉的离经叛道以及虚伪的社会道德;加入男女主人公的扮演者安娜和迈克的"婚外情"故事,通过"戏中戏"的形式让两个时代互为观照,使得现代女性安娜与萨拉形成了"互文"关系,从而保留并加深了福尔斯原名小说对女性"自由"与"存在"精神的时代剖析。萨拉的形象是不确定的,更是符号化的,体现出影片对女性命题的哲学探究。 British film The French Lieutenant’s Woman portrayed the image of a 20th century woman called Sarah living in the 19th century.Comparing the conservative and rebel of Victorian women,the film revealed Sarah’s deviant and hypocritical social morality.By adding the story of Extramarital Affairs of Anna and Mike,the protagonists and heroines,the two times looked at each other in the form of“play in play”,which made the modern female Anna and Sarah form an inter-textual relationship,so as to retain and deepen the era analysis of women’s freedom and existence spirit in John Fowles’original novels.Sarah’s image was uncertain and symbolic,which reflected the film’s philosophical exploration of women’s topic.
作者 陈颖 CHEN Ying(Minjiang Teachers College,Fujian Fuzhou 350000,China)
出处 《菏泽学院学报》 2021年第6期107-110,共4页 Journal of Heze University
关键词 自由 存在 符号 现代女性 freedom existence symbol modern women
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  • 1M. H. Abrams, ed. , The Norton Anthology of English Literature, New York: W. W. Norton & Company, 1996, p. xxv, p. xxviii, p. 2142, p. 2143.
  • 2Raymond Williams, The English Novel: From Dickens to Lawrence, London: Chatto& Windus, 1970, pp. 28-30.
  • 3Harold Pinter, The French Lieutenant's Woman, A Screenplay, Boston : Little, Brown and Company, 1981, p. xi. pp. 18-19, p. 17, p. 142, p. 8, pp. 8-9, p. xi, p. 101, pp. 73-74, pp. 83-84.
  • 4John Fowles, The French Lieutenant's Woman, Boston: Little, Brown and Company, 1969, pp. 211-213.
  • 5Michel Foucauh, The History of Sexuality, Vol. 1, New York: Vintage Books, 1990, p. 3.
  • 6约翰·福尔斯.《法国中尉的女人》,刘宪之、蔺延梓译,天津:百花出版社,1986年,第3页.
  • 7Jean-Paul Sartre, Being and Nothingness, New York: Washington Square Press, 1992, pp. 566-601.
  • 8J.希利斯.米勒,陈永国.现代性、后现代性与新技术制度[J].文艺研究,2000(5):134-148. 被引量:42

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