摘要
本文原载于由维托里奥·克洛斯特曼主编为纪念马丁·海德格尔诞辰80周年出版的论文集当中。作者基于海德格尔关于艺术本质的理解,结合康定斯基对现代艺术的两个基本发展方向“大写实”和“大抽象”的规定,具体探讨了现代艺术与老的艺术(即传统艺术)之间的本质区别。
This article was published in a collection of essays edited by Vittorio Klosterman to commemorate the 80th birthday of Martin Heidegger.Based on Heidegger's understanding of the essence of art,the author explores the essential difference between modern art and old art(that is traditional art),combined with Kandinsky's definition of two basic directions of development of modern art,"big realism"and"big abstract".
作者
戴思羽(译)
Karsten Harries;Dai Siyu
出处
《当代美术家》
2021年第6期40-47,共8页
Contemporary Artists
关键词
大抽象
大写实
马列维奇
海德格尔
虚无
big realism
big abstract
Malevich
Heidegger
nothingness
