摘要
毛泽东作于1947年转战陕北期间的两首诗《五律·张冠道中》和《五律·喜闻捷报》,自1996年公开发表以来,争议很大,主要是由诗所涉及的时间、地点和事件等疑点引发的,这也关系到作品的真伪问题。本文综合各种观点和资料,尽可能捋清这些问题,并分析和肯定了作品的艺术价值。同时认为:还原创作背景只是读诗解诗的前提或方法之一,而诗的创作本来也不必拘于一时一事一景一情。
Mao Zedong’s two poems,A Five-Character Octave:Marching on Zhangguan Road and A Five-Character Octave:Happy News of Victory,which were written in 1947 during the revolutionary period of Northern Shaanxi.Since they were published in 1996,there have been a great deal of controversies,mainly caused by doubts about the time,place and events involved in the poems,which are also related to the authenticity of the works.This paper combines various viewpoints and materials to clarify these problems as much as possible;But at the same time,it is believed that restoring the creative background is only one of the prerequisites or methods for reading and interpreting poems,and the creation of poems should affirm the value of these two works from artistic analysis,without being confined to one thing,one scene and one feeling at a time.
作者
贾永雄
JIA Yong-xiong(School of Chinese Language and Literature, Yulin University, Yulin 719000,China)
出处
《榆林学院学报》
2022年第1期86-90,共5页
Journal of Yulin University
关键词
毛泽东
五律
张冠道
格律
意境
Mao Zedong
five-character octave
Zhangguan Road
rhythm
artistic conception