陈设艺术美学表达在创新型民宿实践中的统筹与运用——以“归渊”为例

The Overall Planning and Application of Display Art Aesthetics Expression in the Practice of Innovative B&B:The Case Analysis of"Guiyuan"

归渊是一个坐落于云南大理古城的博物馆侘寂风民宿。文章从大理当地历史人文入手,通过建筑主体、室内局部、庭院园林陈列论述"归渊"在建筑上的在地性体现;结合侘寂美学理论与使用场景,展开对中国古典文人审美情怀与现代建筑结合的论述;文章最后对于侘寂的整理及讨论,结合中华民族崇雅黜浮、捐华务实的传统价值观,提出"设计师应放下身段做懂人、人懂"的设计的观点,并以"表象的浮华会随着时间黯淡失色,而本真质朴却最终会和时间站在一起"作为归渊美学的指导思想贯穿始末,通过设计师运用陈设将空间与人关联起来,使人与空间在交互过程中引发对于时间、对于无常触动的意图,进一步体现陈设美学表达在创新型民宿实践中统筹与运用的意义。

Guiyuan is a museum Wabi-sabi homestay located in the ancient city of Dali,Yunnan Province.Starting with the local history and culture of Dali,Guiyuan discusses the architecture through the subject of the building,interior parts and garden display,the theory and use of the Chinese nation,and to"the appearance of flashy will be eclipsed with time,and the true plain but will eventually stand together with time"as the deep aesthetic guiding ideology through the end,through the designer use display space with people,make people and space in the process of interaction for time for impermanence touched intention,further reflect the display aesthetic expression in innovative home stay practice the significance of overall planning and use.