摘要
《庄子》以“三言”为方式,以“论道”为目的,而在体道的过程中,多以寓言加以呈现,其间使用了大量创造性的词语,在后世文学创作与批评文献中有着悠久的历史回响。在具体使用与书写间,庄子采取词语链的形态作递进式的体道认知,与文学创作构思颇为契合;而我们通过对其词语的诠释观测他对文道本论的构建,考量其对文学创作鉴赏理论的献益,尤其是喻理在像的书写给予文论的启示,均可获得新的意涵与省思。
Chuang-tzu takes Three Sayings as a way and Taoism as an aim.In the process of reflecting Taoism,it is mostly presented by fables,during which a large number of creative words are used,which has a long historical echo in later literary creation and critical literature.In the actual use and writing,Chuang-tzu adopts the form of word chain for progressive cognition,which is quite fit with the idea of literary creation.We observe his construction of the body part of Taoism through his explanation of words and consider his contribution to literary creation and appreciation theory.All these will acquire new implications and thoughts.
出处
《湖北大学学报(哲学社会科学版)》
CSSCI
北大核心
2022年第1期60-68,180,F0003,共11页
Journal of Hubei University(Philosophy and Social Science)
基金
国家社会科学基金重大项目“辞赋艺术文献整理与研究”(17ZDA249)。