摘要
在中国现代文学史上,阿英(钱杏邨)以苏北根据地经验为主撰写的《敌后日记》有着独特价值。日记基于“文化人+革命者”的双重视角,以日常生活视域与非虚构历史书写,立足苏北战时周边考察,以丰富鲜活的“在场”描绘呈现了新四军将领与工农干部的立体形象,为苏北革命文化史保存了重要史料。
The Diary in the Backstage Battlefield was written by A Ying(pseudonym of Qian Xing Cun),based on his own experience in the Anti-Japanese base areas in Northern Jiangsu.It is of historical value for the study on the war in modern Chinese literature.From the dual perspective of“writer+revolutionist”,the diary is characterized by daily life and non-fictional writing.The writer surveyed the area,depicted the images of officers and cadres based on his first-hand experience,preserving important materials for the study on the revolutionary history of northern Jiangsu.
作者
刘秀珍
LIU Xiu-zhen(School of Chinese Language and Literature, Yancheng Teachers University, Yancheng, Jiangsu, 224002, China)
出处
《盐城师范学院学报(人文社会科学版)》
2022年第1期69-76,共8页
Journal of Yancheng Teachers University(Humanities & Social Sciences Edition)
关键词
阿英
苏北根据地
新四军
《敌后日记》
A Ying
Anti-Japanese base areas in Northern Jiangsu
New Fourth Army
Diary in the Backstage Battlefield