摘要
从声音理论视角观测周立波所营造的《山乡巨变》,可以看出,其中隐含着一个众声喧哗的声音世界。在官方“总音景”的主旋律之下,潜藏着官方(规训)与民间(反规训)的话语角斗场。为促进官方声音由表面传播深入到人心内核,周立波在“总音景”之外尝试“声景”再造,发出对官方声音批判辩证的个性声音,“暴露”官方政策“左”倾错误的同时,又为其提供方法论建议,促进全新“声景”的形成,以激发起民族共同体的想象。
From the perspective of sound theory,this paper makes a detailed analysis on Zhou Libo’s novel Great Changes in a Mountain Village,which implies a clamorous sound world.There is the tension between official voice(discipline)and folk voice(anti-discipline),which is hidden under the main melody of the official“general soundscape”.In order to win the support among people,the writer tried to reconstruct the“soundscape”,making an individualized sound,in a critical and dialectical way.It is the criticism on the official voice,which discloses the“left wing”errors,while providing suggestions on methodology,so as to facilitate the formation of a new“soundscape”,stimulating the imagination of the national community.
作者
张俊琦
田文兵
ZHANG Jun-qi;TIAN Wen-bing(School of Humanities, Huaqiao University, Quanzhou, Fujian, 362021, China)
出处
《盐城师范学院学报(人文社会科学版)》
2022年第1期84-94,共11页
Journal of Yancheng Teachers University(Humanities & Social Sciences Edition)
关键词
周立波
《山乡巨变》
声音书写
总音景
声音理论
Zhou Libo
Great Changes in a Mountain Village
sound writing
general soundscape
sound theory