钱斐仲词的图画书写及其词史意义

The Picture Writing in Qian Feizhong’s Poetry and its Significance in the Ci History

钱斐仲是清代著名女词人、书画家,其《雨花庵诗余》中有大量的图画书写。画家身份与交游是她的书写缘由,花鸟人物山水画是她的主要书写对象,以画为主、词画融合是其书写途径,交融迷离、洗练清雅是其书写方式。钱斐仲图画书写的这些特点,展现了清代女性词人在清词中兴过程中于题材开拓、词学风格多样化方面取得的成就,是清词中兴整体风貌中不可忽视的个案,也是晚近时代风云在词学领域的细微反映。

Qian Feizhong,a famous painter and poetess in the Qing Dynasty,presented a great deal of picture writings in her YuHuaAn Poetry.The identity of a painter and making friends were reasons for her writing.Flowers,birds and landscape were main objects in her writings,poetry interwoven with painting was her means of writing,and the blending blurred,refined and elegant style was her writing method.These characteristics showed the achievements of poetesses in the development of themes and the diversification of the styles of Ci(a type of classical Chinese poetry)in the process of the revival of Qing Ci in the Qing Dynasty,which was a case that cannot be ignored in the overall style of the resurgence of Qing Ci and was also a subtle reflection of the situation in the field of Ci studies in late Qing Dynasty.