“非遗”视野下地方戏发展探究——以太康道情戏为例

Research on the Development of Local Drama from the Perspective of Intangible Cultural Heritage——Take Taikang Daoting as an Example

太康道情戏作为稀有剧种,在豫东一代广泛流传,上世纪末在内外因素交织下几度濒临灭绝。2006年,太康道情戏被列入首批国家级"非遗"名录,也迎来剧种发展新生。十几年来,太康道情戏演出内容和形式不断发生变化,当地积极打造"太康道情"文化品牌,并衍生出道情戏广告、道情戏短视频等新形态,展现出"非遗"视野下地方戏的生存发展状态,也为地方戏的传承保护提供借鉴。

It has been 20 years since Kunqu Opera was inscribed on the Masterpiece List of Oral and ICH of Humanity in 2001. Up to now, 42 items have been included in the UNESCO Intangible Cultural Heritage List, and four batches of 1,372 items have been included in the National ICH List. Among the national programs, there are 445 traditional operas covering 162 types, the vast majority of which are local dramas, including the Taikang Daoting. As a rare type of local opera, Taikang Daoting has been honored as the "No. 1 in the World" by Taikang County in 2014, and performed in the 3 rd Shanghai International Exhibition in 2020 as the only selected drama in Henan Province, singing on the world stage. Over the past 20 years, Taikang Daoting exploration of novelty and change is also an epitome of the development of local operas under the protection process of ICH. The changes of Taikang Daoting in terms of expression content, performance form, adaptation to market and media, and the survival situation of local dramas represented by Taikang Daoting under the background of ICH protection, providing reference for the protection of local dramas.