摘要
由顾锡东等人改编的绍剧《孙悟空三打白骨精》在浙江省第二届戏曲观摩汇演中获得了剧本一等奖等多种奖项。后经周恩来总理的推荐,浙江绍剧团赴中南海演出。这出传统戏的改编之所以如此成功,在于剧作家正确的改编策略:增添了新的情节,加剧了矛盾冲突;人物性格判然有别,舞台形象生动有趣;反映时代风貌,风格沉郁悲壮;以历史唯物主义思想指导传统剧目的整理。
Adapted by Gu Xidong and others, The Shao Opera The Monkey King Thrice Defeats the Skeleton Demon won the first prize for scriptand other awards in the second opera viewing performance of Zhejiang Province. After the recommendation of Premier Zhou Enlai, Zhejiang Shao Troupe went to Zhongnanhai to perform. The success of the adaptation of this traditional play lies in the playwright’s correctadaptation strategy: adding new plots and exacerbating conflicts;The characters are quite different, and the stage images are vivid and interesting;Reflect the style of the times, solemn and stirring style;The arrangement of traditional plays is guided by the thought of historical materialism.
出处
《浙江艺术职业学院学报》
2021年第3期48-53,共6页
Journal of Zhejiang Vocational Academy of Art
关键词
顾锡东
《孙悟空三打白骨精》
戏曲改编
Gu Xidong
The Monkey King Thrice Defeats the Skeleton Demon
opera adaptation