摘要
老舍用40余年的创作生动描绘了半个多世纪的中国社会巨变,他塑造的妇女群像更是令人惊叹。考察老舍创作中的女性形象,既可以跟踪现代中国的发展轨迹,又可以透析出现代中国妇女的解放历程--个体成长与群体成长状态。从她们的成长轨迹看,妇女经历了“无我”“小我”“大我”三个阶段,每个阶段都有相应的自我认知以及由此引发的他者效应。探究老舍,就是探究一部现代中国文学史,也是探究一部现代中国妇女的成长史和解放史,甚至是一部中国社会的心灵史和革命史。
Manchu writer Lao She vividly depicts the great changes of Chinese society in more than half a century with more than forty years of creation.Its variety of styles,rich characters and exquisite language occupy the top of modern literature.In particular,the images of women he created are even more amazing.Investigating the female images in Lao She's creation can not only track the development of modern China,but also analyze the individual growth and group growth of modern Chinese women.From their growth trajectory,women have gone through three stages:"non-self","ego"and"wide-self".Each stage has corresponding self cognition and the resulting other effect.Exploring Lao She is to explore a modern Chinese literary history,but also to explore a modern Chinese women's growth history,and even a spiritual history and revolutionary history of Chinese society.
出处
《中华女子学院学报》
2022年第1期102-109,共8页
Journal of China Women's University
基金
国家社科基金项目“传播学视域下中国少数民族文学经典化研究”的阶段性成果,项目编号:18XZW029。
关键词
老舍创作
自我认知
他者效应
妇女成长
Lao She's creation
self cognition
other effect
women's growth