摘要
新中国成立后老舍主要从事话剧创作,并塑造出一系列女性形象,丰富了新中国文学女性形象画廊。这些新女性形象与新社会、新制度血肉相连,凸显了新中国女性彻底翻身解放的宏大主题,具有浓厚的政治意味。老舍当代话剧创作在讲政治的同时坚持讲艺术,故而笔下的女性形象血肉丰满、生动活泼、富有艺术创造性,他根据自己的理解和切身体会完成了对新中国女性形象的身份建构,这种建构与其新中国成立后自我身份的重构有着某种内在的同构性。
After the founding of the People's Republic of China,Lao She mainly engaged in drama creation and created a series of female images,which enriched the gallery of female images in New China literature.These new female images are closely connected with the new society and new system,highlighting the grand theme of the complete emancipation of women in New China,and they have strong political implications.Lao She's contemporary drama creation insists on art while stressing politics.Therefore,the female images in his writings are substantial,lively,and full of artistic creativity.Based on his own understanding and personal experience,he completed the construction of the identity of the new Chinese female image,which has certain internal isomorphism with the reconstruction of the writer's self-identity after the founding of the PRC.
作者
王永兵
刘扬天
WANG Yongbing;LIU Yangtian
出处
《中华女子学院学报》
2022年第1期110-115,共6页
Journal of China Women's University
关键词
老舍当代话剧
女性形象
建构
同构
Lao She's contemporary drama
female image
construction
isomorphism