指尖下的舞蹈——以巴赫《法国第三组曲》的作品分析与演奏提示为例

Dance Under the Fingertip——A Case Study of Bach’s French Suite No.3

约翰·塞巴斯帝安·巴赫是巴洛克时期德国最优秀、最具有代表性的作曲家、管风琴家。闻名遐迩的作曲家贝多芬对巴赫评价说:“巴赫不是小溪,而是大海。”他所创作的音乐作品形式丰富多彩,其中创作出不同的组曲:《法国组曲》、《英国组曲》、《德国组曲》。这些组曲中《法国组曲》是由一系列的小曲组成。组曲中每一首作品有特性的节奏节拍、多样的风格和表达、富有特色的曲调,具有法国作品的典型特征,并且带有明显的贵族趣味。本文以巴赫的《法国第三组曲》为起点,在作品中对各方面进行了解,还会对《法国第三组曲》中的每一首作品进行系统的分析并总结这套组曲,期望更全方面的认知和掌握作品,从更深层次的感知和了解巴赫。

Johann Sebastian Bach was the most outstanding and representative German composer and organist in the Baroque period.Beethoven,the famous composer,said of Bach:“Bach is not a stream but an ocean”.He created a variety of musical works in various forms,among which he created different suites:French suite,English suite,German suite.Of these suites,the French suite consists of a series of ditties.Each piece in the suite has its own characteristic rhythm,various styles and expressions,and distinctive tunes,which are typical of French works and have obvious aristocratic interest.In this paper,Bach’s French Suite No.3 was taken as the starting point,with understanding of all aspects,the French Suite No.3 in each work was conducted for a systematic analysis and summary of this suite,in the hope of a more comprehensive understanding and grasp of the work to perceive and understand Bach from a deeper level.