摘要
中国著名教育家马相伯撰写的“真光普照”漆匾,距今已有90年,由于保护不善,出现虫蛀、褪色、龟裂和脱落等病害。经过对文物质地和病害的分析,制定了契合漆匾的保护方案,并加以实施。通过清洗和加固,运用传统技法,采用新的保护材料,进行了二次修复,使漆匾恢复了原状,得到了很好的保护,为博物馆文物研究和陈列提供了条件。
It has been 90 years since the famous Chinese educator MA Xiangbo wrote the horizontal lacquer board“Zhen Guan Pu Zhao”(True Light Illuminates All Things).Due to poor protection,damages,such as worm-holes,fading,cracking and shedding,have appeared.After analyzing the cultural material locations and damages,a protection plan that fits the horizontal lacquer board was formulated and implemented.Through cleaning and reinforcement,using traditional techniques and using new protective materials,a secondary restoration was carried out,so that the horizontal lacquer board was restored to its original state and well protected.The case provides conditions for the research and display of museum cultural relics.
作者
张岚
潘坤容
ZHANG Lan;PAN Kunrong
出处
《上海视觉》
2021年第2期100-110,共11页
Shanghai Vision
关键词
漆器修复
漆匾
马相伯
土山湾博物馆
lacquer ware restoration
the horizontal lacquer board
MA Xiangbo
Tu-Shan-Wan Museum