摘要
设计展览空间的营造关乎作品的情景,不同时期的作品如何淋漓尽致地呈现出来。以空间句发理论、可视化图解分析方式等为理论支撑,对上海复星艺术中心安藤忠雄展:挑战做了综合的分析。对比安藤先生这四次全球展,在展品布局与空间营造等方面进行了多维度研究,初步证明了空间结构、情景还原、功能复合对展品的叙事空间营造有着重要的影响。科学阐述了在有限的空间内如何营造主题,并展现了具有借鉴意义的方法。以期对空间营造,增强艺术中心的临场体验与特色提供帮助。
The construction of design exhibition space is related to the scene of the works,how to show the works in different periods incisively and vividly.With the theoretical support of spatial sentence theory and visual graphic analysis method,the author makes a comprehensive analysis of Tadao Ando:Endeavors in Fosun Foundation Shanghai.Compared with Tadao Ando's four global exhibitions,this paper makes a multi-dimensional study on the layout of exhibits and space creation,and preliminarily proves that spatial structure,scene restoration and function combination have an important impact on the creation of narrative space of exhibits.It scientifically explains how to create a theme in a limited space and presents a method of reference.In order to create space,enhance the art center's on-the-spot experience and characteristics to provide help.
作者
吕煜旻
LV Yumin(Lu Xun Academy of Fine Arts,Dalian 116000,China)
出处
《西部皮革》
2022年第1期96-99,共4页
West Leather
关键词
设计展览
空间营造
安藤忠雄
design exhibition
space construction
Tadao Ando