蒙太奇的叙事性及修辞性

Narrative and Rhetoric of Montage

传统的蒙太奇理论,是将叙事蒙太奇和修辞蒙太奇分立而论的,但一旦将叙事作为修辞来看待,将修辞看作以叙事为背景,叙事蒙太奇和修辞蒙太奇就会与以往不同。叙事蒙太奇既具有叙事性,即连续性的故事及叙述逻辑;又具有修辞性,即割裂了故事连续性及叙述逻辑,以外在于故事和叙述的某种目的展现事件。修辞蒙太奇的修辞意义不再是单纯的镜头间的意义创造,而是在叙事背景下,对多元意义的镜头组合进行叙事上的意义限制,从而形成符合叙事的精确含义。而摆脱叙事限制的修辞蒙太奇,只有在虚构意义上的"画面隐含作者"才能得到,但"画面隐含作者"本身也是叙事产生的,因此纯修辞蒙太奇只能是一种辩证的认识。

The traditional montage theory distinguishes narrative montage from rhetorical montage.once narrative is regarded as rhetoric and rhetoric is regarded as narrative,narrative montage and rhetorical montage will be considered in a different way.Narrative montage is narrative,that is,continuous story and narrative logic,and rhetorical,that is,breaking the continuity of story and narrative logic,which lies in the presentation of events for some purpose of story and narration.Rhetorical montage,whose rhetorical meaning is no longer the creation of meaning between simple lenses,but under the background of narration.It limits the narrative meaning of the lens combination of multiple meanings,thus forming the precise meaning in line with the narration.The rhetorical montage that gets rid of the limitation of narration can only be obtained in the fictional sense of"picture implied author",but"picture implied author"itself is also narrative,so pure rhetoric montage can only be a dialectical understanding.