鲁迅影像及其视觉表征

Lu Xun’s Imagery and Its Visual Representations

鲁迅影像,即鲁迅形象的影像建构。鲁迅影像通过在场直观的方式建构不同的鲁迅形象:传记式、动画式、景观式等。鲁迅影像的他塑过程,显现出明显的异质性,影像的逃逸是其传播方式中最为突显的特点。鲁迅影像与鲁迅形象尽管密切相关,但从文学世界过渡到语图交织的世界,形成了极为独特的影像情境和影像造型。其中,"静穆"与"奇观"是鲁迅影像造型的两副雅努斯面孔,在当代中国视觉范式建构的过程中,两种视觉形式动因复杂地交织在一起,并衍生出对当代鲁迅生命意义的追问。

Lu Xun’s imagery refers to the visual construction of Lu Xun.Different images of Lu Xun are constructed via visual presentations such as biography,animation and spectacle.The process of shaping Lu Xun’s images is marked by heterogeneity,and particularly by the escape of images as the most prominent feature in their dissemination.Although Lu Xun’s image and Lu Xun himself are closely related,the transition from the literary world to the verbal-pictorial world forms a unique context of image as well as image modeling.“Serenity”and“spectacle”are the two faces of Janus of the image modeling of Lu Xun.In the process of constructing a contemporary Chinese visual paradigm,these two visual forms are intricately intertwined,which leads to the enquiry of Lu Xun’s meaning to contemporary life.