海昏侯墓当卢中四神纹样的艺术特征与文化解读

The Artistic Features and Cultural Interpretation of the Patterns of the Four Gods in Danglu from the Tomb of Haihunhou

四神纹样是中国传统纹样的典型代表,指“青龙、白虎、朱雀、玄武”4种动物图像。文章阐述了海昏侯墓当卢中四神纹样的艺术特征,分别从背景、审美和思维3个方面论述“器以载道”“和合之美”“尚象之道”的文化内涵,并指出其纹样艺术在当下艺术设计中的应用价值与传承意义。海昏侯墓当卢的四神纹样蕴含着丰富的文化内涵,是西汉时期社会文化的结晶,提炼其造物文化和设计法度,有利于传统文化的活态传承。

The Four Gods pattern is a typical representative of Chinese traditional patterns,referring to the four animal images of"blue dragon,white tiger,red bird,and basalt".This article expounds the artistic characteristics of the four gods of Luzhong in the tomb of Haiyunhou,and discusses the cultural connotations of"articles to carry the Tao","the beauty of harmony"and"the way of image"from three aspects:background,aesthetics and thinking.The application value and inheritance significance of its pattern art in the current art design.The pattern of the Four Gods of Danglu from the Tomb of Haihunhou contains rich cultural connotations,which are the crystallization of social culture in the Western Han Dynasty.The refinement of its creation culture and design methods is conducive to the living inheritance of traditional culture.