“无文时代细论文”——论郜元宝的文学本位批评观

Engage in Literary Research in the Era of No Literature——Gao Yuanbao's View of Criticism on Literature

郜元宝的鲁迅研究,紧扣“立心”,指出鲁迅以“文学”为事业,以“语言”做载体,以“文章”“化”人。受鲁迅感召,郜元宝形成了以文学为本位的批评观,并发展出特色的“千江有水千江月”式批评,即评论当代文学会自觉联想到鲁迅,时时回顾鲁迅之言,对照鲁迅之行,以这种“活用”的方式参与建设鲁迅传统,以鲁迅传统之月,照当代文学的千江之水。鲁迅的文学不仅是他的研究对象,更是他进行当代文学批评的方法与标尺。而他实现文学本位批评的重要途径之一,就是聚焦新文学语言,关注语言问题。郜元宝以“音本位”“字本位”为切入点,详解当代作家语言构成,指出南方方言因更不易“言文一致”,反而存在更多可能性。

Gao Yuanbao's study of Lu Xun focuses on his ultimate purpose which be named"立心",pointing out that Lu Xun took literature as his career,language as his carrier,and enlighten the public with articles.Inspired by Lu Xun,Gao Yuanbao formed a literary-oriented view of criticism.Lu Xun's literature was not only the object of his study,but also the method and yardstick for his contemporary literary criticism.And one of the important ways he realized the literary-oriented criticism is to focus on the language issue.