摘要
张光是20世纪二三十年代活跃于京、沪、杭等地的重要画家,同时也是诸多艺术学校滥觞时期的中国画教授,其艺术经历在20世纪女性画家中,具有典型意义。考实其人生经历与艺术活动的基本史实,以此为基础展开对历史转折时期女性绘画发展与意义的探讨,且借此视角考察海上绘画的丰富面相与美术教育的历史境遇,可以为当代中国画创作提供可资参考的思想资源。
Zhang Guang, an outstanding painter in 1920 s and 1930 s, was active in Beijing, Shanghai, Hangzhou and other cities in China. During the period when China was vigorously establishing art schools, she took up professorship in traditional Chinese painting at various art schools. Her artistic experience was typical among the female painters in the 20 th century in China. Based on the historical facts of her life and artistic activities, this paper aims to explore the development and significance of women’s painting in the turning period of Chinese history, and investigate the rich features of Shanghai Painting School and the history of Chinese art education, so as to provide ideological resources for the contemporary Chinese painting.
作者
丁海涵
DING Hai-han(College of Fine Arts and Design,Wenzhou University,Wenzhou 325035,China)
出处
《美育学刊》
2022年第1期52-60,共9页
Journal of Aesthetic Education
基金
浙江省哲学社会科学规划课题“近现代海上永嘉画家群体研究”(15NDJC106YB)研究成果。
关键词
张光
女学
闺阁绘画
上海美专
国立杭州艺专
Zhang Guang
women education
boudoir painting
Shanghai Fine Arts School
Hangzhou National Art School
