中国传统艺术心灵与艺术作品形态呈现--从王一川之于中国传统艺术美学的当代理解说开去

Traditional Chinese Artistic Mind and the Presentation of Artwork Forms:From Wang Yichuan’s Contemporary Understanding of the Aesthetics of Traditional Chinese Art

中国传统艺术心灵与艺术作品形态呈现之间的联系和影响,其内在逻辑关系源于研究者自身对中国传统艺术美学的当代理解。论文对王一川教授中国传统艺术美学的研究思考,以及对其跨文化艺术美学研究途径都进行了初步梳理。我们可以发现,通过中国传统美学理论构建,进一步到民族艺术理论运用,再到艺术作品的形态再现,三者之间形成了一个鲜明的逻辑递进关系。王一川教授从不同艺术领域剖析了中国传统艺术心灵对于艺术作品呈现所产生的或直接或间接的影响关系,通过自身对于中国传统艺术美学的当代理解,促使自身在“心灵”层面得以使艺术美学与古典心学、传统心学产生了有效贯通与衔接,达到了新的艺术美学理论研究高度,代表了中国当代学术界中之中国传统艺术美学理论研究类成果的新高度。

The intrinsic logical relationship between the connection and influence of the traditional Chinese art mind and the presentation of artwork forms stems from the researcher's own contemporary understanding of traditional Chinese art aesthetics.This paper initially compares Professor Wang Yichuan's thinking on the study of traditional Chinese art aesthetics and the ways of cross-cultural art aesthetics research.The study reveals that a distinct logical progression is formed between the theoretical construction of traditional Chinese aesthetics to the application of ethnic art theory and the morphological reproduction of artworks.Professor Wang Yichuan analyzes the direct or indirect influence of the traditional Chinese art mind on the presentation of artworks from different art fields.And through his contemporary understanding of traditional Chinese art aesthetics,he has been able to make an effective connection between art aesthetics and classical psychology and traditional philosophy of mind at the level of “ mind”.Thus,it has reached a new level of theoretical research on art and aesthetics,representing a new level of research on traditional Chinese art and aesthetics in contemporary Chinese academia.