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幻点营构与沉浸化“造梦”——论后科技对电影创作的物理重写 被引量:1

Phantom Point Construction and Immersive"Dream-Making"On the Physical Rewriting of Film Creation by Post-Technology
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摘要 电影所寻求的深层意义感,一向和人类历史现实密切相关。而进入后科技时代,电影由模仿和反映现实向虚拟现实、增强现实转化,编剧、导演等角色被"造梦师"所取代,智能化特技特效日趋多样,电影意义感也由现实生活之共鸣,转向人类困境、人类未来的共情。这种革命性改变是高技术驱动的结果,人类整体性的银幕"失控"与"失衡",使得"想象创造想象""电影创造电影"成为未来电影模态的核心手段。数字化使电影走出"场景-演员-拍摄-洗印-放映"的线性创作流程,"程序化""陌生化""公众化",电影文本作为"解放了的文本""变体文本",在弹幕化、屏幕化、游戏化、监控化,数字生成,幻点营构,受众获得沉浸式体验,人工智能更以流程图编辑模式,直接左右编剧的"内容精进化"生产。显然,21世纪电影之"电影性"获得了前所未有、突飞猛进的发展,后科技电影既引导"现实",也改变、修润、分化现实,还通过"类现实"景观不断折射、隐喻和重构现实。 The deep sense of meaning sought by movies has always been closely related to human historical reality, but in the post-technological era, movies have transformed from imitating and reflecting reality to virtual reality and augmented reality. This revolutionary change is the result of high technology, the "loss of control" and "imbalance" of the human screen as a whole, which makes "imagination create imagination" and "film create film". This revolutionary change is the result of high technology, which makes "imagination creates imagination" and "film creates film" the core means of future film modality. Obviously, digitization has made movies out of the linear creation process of "scene-actor-shooting-printing-projection" and has been "programmed", "strangeness" and "publicized". As a "liberated text" and a "variant text", the film text has been "digitalized", "screenized", "gamified", "monitored", "digitally generated", "phantasmagoric" and "immersive". The experience of artificial intelligence is even in the mode of flowchart editing, which directly influences the scriptwriter’s "content evolution" production. Obviously, the "cinematicity" of 21 st century cinema has made unprecedented and rapid progress, and post-technology cinema not only guides "reality", but also changes, embellishes and divides reality, and constantly refracts and metaphorizes through "reality-like" landscapes. The post-technological film not only guides "reality", but also changes, modifies and differentiates reality, and constantly reflects, metaphorically and reconstructs reality through "reality-like" landscape.
作者 周安华 ZHOU An-hua(Advanced Innovation Center of Future Film,Beijing Film Academy,Beijing 100088;School of Literature,Nanjing University,Nanjing Jiangsu 210046)
出处 《艺术百家》 CSSCI 北大核心 2021年第6期100-104,共5页 Hundred Schools In Arts
关键词 造梦 后科技 电影创作 物理改写 Dream-Making Post-Technology Film Creation Physical Rewriting
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