京剧老旦行当演进及审美嬗变研究

The Development of the Role of Laodan and its Aesthetic Transmutation

老旦是京剧艺术中相对晚熟的行当,在历史演进中经过"谭郝奠基—龚派定型—多派领航—新李派升华"的发展,表演功法技术上取源老生行当,借法青衣行当,在兼收并蓄的基础上,不断融汇时代审美风格,探索新的审美样式和美学特性,成为京剧艺术中独树一帜的重要行当。

The Role of Laodan is a subtype which came into being relatively late in the history of Beijing Opera.It was first created by Tan Zhidao and Hao Lantian,then shaped by Gong Yunfu,led by Li Duokui,and refined by Li Jinquan.In performance,Laodan originates from Laosheng.Tsing Yi also becomes a rich source of inspiration.To meet the aesthetic trend,Laodan actors have been exploring new aesthetic styles and characteristics and that’s how Laodan becomes a unique subtype of Beijing opera.