关于20世纪80年代电影“文学性”论争的再思考

A Rethinking of the“Literariness”Debate on the Films in the 1980s

20世纪80年代初,电影的“文学性”和“文学价值”的论争,以及电影语言“现代化”及电影与戏剧的“离婚”之辩,使电影人的注意力回归电影艺术本体。争论之所以出现,原因有三:第一,西风东渐的社会语境;第二,电影观念的变化;第三,编剧与导演中心身份之争。这场论争,是20世纪30至40年代电影观念的延续,同时对当下也具有启示意义。

In the early 1980s,the debate on“literariness”and“literary value”of films,combined with the debate on“modernization”of film language and the“divorce”of film and drama,brought filmmakers’attention back to the ontology of film art.There are three reasons for the emergence of the debate:first,the social context in which the west wind is spreading to the east;second,the change of film concept;third,the central identity struggle of scriptwriter and director.This debate is a continuation of the film concept in the 1930s and 1940s,and also has implications for the present.