从鲁迅小说中的女性形象看中国近代的妇女解放

On Women's Liberation in Modern China from the Perspective of Female Images in Lu Xun's Novels

鲁迅小说中塑造了系列鲜活的女性形象,以《明天》中的单四嫂子、《祝福》中的祥林嫂、《离婚》中的爱姑、《伤逝》中的子君为代表。单四嫂子逆来顺受、任由命运摆布而不知抗争;祥林嫂为了生存一次次出逃、内心也是被封建礼教与迷信荼毒浸透了的;爱姑个性上泼辣果决、蛮横厉害,但是她的反抗是封建制度内的自发反抗,终被以七大人为代表士绅权威和其维护的封建礼教镇压和熄灭了抗争的希望;唯有子君具有女性解放新思想,却在现实环境的逼迫中抗争失败。鲁迅既将中国女性置入于中国传统的伦理秩序,同时给予启蒙者一种观察的场景和视野,也引发人们对近代中国女性解放的伦理思考。

Lu Xun created a series of vivid female images in his novels,such as Mistress Xiang Lin in“Tomorrow”,Mistress Xiang Lin in“Blessing”,Aigu in“Divorce”and Zi jun in“Sorrow for the Past”.Mistress Xiang Linresigned herself to the mercy of fate and did not know how to fight,and she fled again and again in order to survive with her heartsaturated with feudal ethics and superstition.Ai Gu was fierce and decisive in character,but herresistance was spontaneous within the feudal system,which was finally suppressed and extinguished by the seven gentry authority and the feudal ethical code it maintained.Only Zi jun had the new thought of female liberation,but she failed in the forced struggle in the realistic environment.Lu Xun not only placed Chinese women in the traditional Ethical order of China,but also gave enlighteners a scene and vision of observation,and triggered people's ethical thinking on the emancipation of Chinese women in modern times.