摘要
文化共同体内部对符号的解释会经过多重衍义过程后产生共同解释项,这是中华民族共同体符号认同的典型建构过程。本文以“马”这一符号为例,运用格雷马斯方阵来分析汉文化与异族文化的传播互动过程中“马”这一意象的转变,从象征神性的“龙马”转换为凶性的马兽,到野性的象征,最后转换为融入“礼”制的舞马,被整合成为宫廷艺术的一部分。意象转变的过程,也是中华民族各族群的文化相互影响交织并最终走向同一的过程。
The interpretation of symbols within the cultural community will produce common interpretation items after multiple evolving processes.This is a typical construction process of the symbolic identity of the Chinese nation community.Taking the symbol of horse as an example,this article uses the Greimas phalanx to analyze the transformation of the image of horse in the process of communication and interaction between Han culture and foreign culture.From the symbolic"dragon horse"to the ferocious horse beast as a symbol of wildness,it was finally transformed into a dancing horse integrated into the"ritual"system,which was integrated as a part of court art.The process of image transformation is also a process in which the cultures of the various ethnic groups of the Chinese nation are intertwined and eventually move towards unity.
作者
彭佳
陈艳花
Peng Jia;Chen Yanhua
出处
《广西民族研究》
CSSCI
北大核心
2021年第6期73-81,共9页
GUANGXI ETHNIC STUDIES
基金
国家社科基金“铸牢中华民族共同体意识研究”专项项目“铸牢中华民族共同体意识宣传机制研究”(21VMZ004)。
关键词
马
格雷马斯方阵
符号
认同
中华民族共同体
Horse
Greimas phalanx
symbol
identity
Chinese national community