地方风习与主流建构——晚清民初浙江词人的词学选择与词风嬗变

Local Customs and the Mainstream Construction:The Zhejiang Poets’Aesthetic Choice and Stylistic Evolution of Ci in the Late Qing Dynasty and the Early Republic of China

晚清民初词坛为常州词派所笼罩,浙江词人虽有其浙西词派宗风,但亦因时代风气之发展,词学内部之变化,而受到常州词派比较大的影响。在词学门径上,由以师法姜、张为主变成出入诸家之间;在词学风格上,由南返北,风格更为多元;在词学宗旨上,则由浙入常,浙江词人对于常派,或自觉地融入,或依违于浙、常二派之间而实以常派为主,或开径独行,但仍可清楚看出常州词派的印迹。这说明晚清民初词学发展的大势,正是因为这么一批浙江词人参与主流词学建设,常州词派的词学影响更趋广大,常州词派的理论也更趋圆融,也使得传统词学向现代词学的演进加快了进程。

The circle of ci in the late Qing Dynasty and the early Republic of China was dominated by the Changzhou School,which had greatly influenced Zhejiang poets who,with their own origin of Western Zhejiang School,adjusted to the times and the internal changes of ci.Specifically,their way to write ci changed from main⁃ly imitating Jiang Kui and Zhang Yan to learning from various schools,and their style was more diversified,re⁃turning to that of the Northern Song Dynasty from that of the Southern Song Dynasty.As for the purpose of writing ci,Zhejiang poets tended to shift from Western Zhejiang School to the Changzhou School by either consciously in⁃tegrating into the latter,or combining the two schools headed by the latter,or developing a new style with a clear imprint of the latter.This shows the general trend of the development of ci in the late Qing Dynasty and the early Re⁃public of China.The participation of Zhejiang poets in the construction of the mainstream ci makes the Changzhou School more influential and their theory of ci more integrated,which in turn accelerates the evolution of ci from tra⁃ditional to modern.